Browsing “Photography”

When it comes to documenting Australian skateboarding in moving pictures, Chris Middlebrook is the most well known and no doubt one of the most devoted. Two of his most recent accomplishments include Nike SB Chronicles #1 and what is arguably the video part of the year: Nick Boserio’s Life Splicing part.

Aside from VX and HD Midds is also a bit of a Super 8 lord. Over at the SbA site we have recently unearthed Chris Middlebrook’s Super 8 reel from 2008. Inside you will find archival footage of: Shane O’Neill, Andrew Brophy Dane Burman, Lewis Marnell, Andrew Currie, Bryce Golder, Nick Boserio, Alex Campbell, Justin Brock, Tommy Fynn and a myriad of other talented rolling units.

Chris Middlebrook is currently working on a part for the next Transworld Video “The Cinematographer Project”: be prepared for some locally spawned lunacy in that one.

Merry Merry Season peoples. See you next year.

Just wanted to share a nice little feature on my work over on the ever growing and ever excellent ONE GIANT ARM site, possibly a good end to the year and gives an insight to 2012 projects…

TOP 8 from THE ISLAND

1ST: Chima Ferguson ($4000)

2ND: Tommy Fynn ($2500)

3RD: Jack Fardell ($1500)

4TH: Jack Kirk ($800)

5TH: Jake Duncombe ($500)

6TH: Reece Warren ($300)

7TH: Alex Campbell ($200)

8TH: Joel McIlroy ($200)

ISLAND WRAP

Cockatoo Island is not only the largest isle in Sydney Harbour; it has one of the most colourful histories. Prior to being home to the first ever SbA Pro/Am Grand Final it was an imperial prison, an industrial school, a reformatory, a jail and was the site of one of Australia’s largest boat building docks. Cockatoo is also closely aligned with the legend of bushranger Captain Thunderbolt, who was one of two prisoners to ever escape the island. Their escape was aided by Thunder’s lover Mary Ann Bugg who swam through the harbours shark-infested waters to save them. Thunderbolt was given his name whilst on the job: during one of his robberies he knocked on a door as a clap of thunder and lightening ignited the skies. The victim asked who was at the door to which he replied: “Thunderbolt”. Of course prior to the intervention of colonialism Cockatoo was no doubt a sacred stomping ground for indigenous tribes and possibly the odd cockatoo.

During event lead up there were several trips out to the island. My first trip was with Cuzz and we were in charge of surface checks on the heritage-listed ground. After a serious run in with an egg-guarding screech-burger of a sea gull, and several heated discussions regarding the logistical problems of holding a comp on the island, we thought we would calm our nerves with a beverage. Whilst ordering the edge was taking off by a gruff but jovial chinless wonder of a Hungarian tuck-shop manager. He was the kind of odd character you would find in an old Bond film. His vibe somehow smoothed the situation and mid bev we ran back over to the site and finally sussed how the course could work.

Over the months of prep that followed it was no doubt that Logistics Manager Steve Murphy went through the most trials and tribulations. At one point he was heard ordering some fluorescent inflatable tower lights over the phone: “So how big are they mate?“… (pause)… “Oh so about as big as a fat person?” The attention to detail was phenomenal. So how do you get a skate course built on an island you ask? Every element had to come by barge: 24 of them! The course design and construction was a combination of efforts between SbA, Convic and Shane Serena’s Revolution crews. The course housed elements such as the bank to ledge to bank, the out rail (based on Perth’s swing out bar), the doorstop slappy kickers, the wheel chair ramp and the Sydney Harbour Bridge China Bank. (article continued with video over on the sba site)

(link straight to video)

I just saw a copy of this book published in conjunction with Three Sixty Project’s first annual skateboard deck exhibition in
Australia recently. The exhibition and book are raising funds for skate programs working with under-priveleged youth all
over the world and some photos I’ve taken while working with Skateistan Cambodia feature throughout.

The photos were all taken at Skateistan skate sessions in Phnom Penh, Cambodia and were used with permission from
Friends Int. Mith Samlanh centre and Pour un Sourire d’ Enfant (PSE)

For more information or to support the One X One X One project or Skateistan head to the links above.

We just built a photo studio in our garage and this is the first shoot to go down.

Featured – fellow Mumbler Mr. Adam Hoyle.

Last May California announced plans to close one quarter of their 278 parks, a devastating move that is intended to save the state a mere $22 million per year. The closure list includes thousands of acres of park land, recreation areas, wildlife reserves, and 50% of the State’s historical parks. By July 2012 Californians will be bereft of 70 magnificent natural parks.

The First 70 is a short film about Californians banding together to enact change and develop solutions in the face of a glaring bureaucratic oversight. Money raised via Kickstarter will help Lauren Valentino, Jarratt Moody and Corey Brown finish the documentary about the National Parks to help bring awareness.

Visit heathhenfilms.com to find out more and donate. Every little bit counts and we only have 29 days left to pledge.

Join their Facebook and Twitter.

“Eden: The Story of Element Eden” is a short film that captures the story of Element’s women’s apparel brand, it’s family, Advocate program and vision to inspire girls on their own unique paths.  The film itself was co-directed by my handsome husband Kirk Dianda and myself. Over the course of the last two years we documented all the products and personalities behind the brand.  To string the story along, I created a set of handmade stop-motion animations that not only help tell the story of Eden, but also represent the brand’s quirky personality while detailing creativity and fashion.  Original soundtrack by  the Talented Loren Humphry.

Big city life…

RebelSciences photography portfolio updated with all new work.

Big bro Julian lives down the street on the Venice side of Dogtown. He’s usually flying all over the world speaking at some something-or-nother conference, but lately, I’ve been seeing him check in on Foursquare at skateparks all over the country. Wasn’t he just at the Venice Skate Park yesterday? There he is, documenting the variety of life that is living and breathing down by our oceanside, outdoor, skatepark capturing everybody: locals, tourists, old pros, next gen’s top skater and their families. He’s even shot us a few times, hanging out.

Julian’s always got some awesome project happening and when he told me about Hello, Skater Girl I got really excited. I’ve always been a fan of the sport. Silvio was the lead artist for the blockbuster videogame, Tony Hawk’s Pro Skater, Lulu’s godfather is a former pro-skater, and much of our community including the one reading this post are life long friends and family from the sport.

It’s no secret that I would love for Lulu to be an astronaut-pro-skater someday. She’s got her first deck, so really, nothing can stop her, right?! I think the Hello, Skater Girl book would be a great addition to Lulu’s bookshelf. I hope you enjoy this interview I put together with my photographer pal:

Tell me, what’s this photo book you’re working on?

I’m doing a photography book project. The subject is girl skateboarders. I told myself I was doing a book project because that was the easiest thing to wrap my head around. What I really wanted to do was understand skateboarding culture more than I already did, and I basically didn’t really understand it at all — so the project was a way get to know what skateboarding was all about.

Why focus on girl skateboarder?

At first I naively convinced myself that no one else was trying to capture and document girl skaters through some sort of visual medium. That was stupid to assume, because of course it’s not true. But — if you look at much of the core skateboarding communities and magazines and the big brands, you don’t see much photography of girl skaters at all. That’s just the way it is and I understand the systemic issues as to why, even if I don’t understand why not — the lost opportunities.

That’s what drew me to the project because I love creative projects that go against the grain — that do something that “no one” else is doing. And, of course I know that’s just a creative start. As soon as you think no one else is doing something you immediately start finding all the people who are doing that thing. The creativity comes in finding a way to do what other people are doing in a unique, individual way. That’s much more fun to be amongst a community of similarly motivated folks and find your own style and technique.

Okay, so..how would you describe your style?

It’s easier to “see” than describe but — what I’m trying to do is a bit photo-geeky and technical but I try to set up portrait-like photos of this very dynamic, very kinetic sport. I’m shooting for a look that is studio-like — something with big, curated light and the background fall-off you might see in a portrait shoot. I think this is atypical in the canon of skateboarding photography where you often have very big compositions: the big skater/ultra-wide/fisheye look; or the landscape shot with a small skater amidst a big street/urban-concrete setting. I guess I was going for something different just to be different — a wide-ish lens with little distortion; no motion blur; strong visual separation between the skater and the background. That’s geeky.

How’d you get into skateboard photography, anyway?

I moved to Venice Beach awhile ago. The town got a skatepark right on the beach a couple of years ago. Going there and shooting was a better way to learn about the history and culture of this place I’m now living in than reading about it or going to town council meetings.

If you’re keen to see Hello, Skater Girl get made, check out Julian’s Kickstarter or Facebook fan pages! And thanks for your support. Sincerely!